Dark-Haired Portrait with Red Accents Bead Pattern
A 58 x 57 MARD bead pattern of a dark-haired portrait in a black jacket, with red hair accents and warm brown shading.
mard · 58 x 57
By 1598297877
A 61 x 44 MARD bead pattern of three pixel characters in a gray mechanical scene: a black-clad figure, a blue-outfit figure, and a long-haired figure in pale purple.
Fuse beads · mard · 61 x 44
Make this as: Pixel art · Cross stitch · Diamond painting
Pattern only3 downloads0 saves| Colour | Count | % | |
|---|---|---|---|
| H6 | 497 | 18.5% | |
| H3 | 230 | 8.6% | |
| A18 | 214 | 8.0% | |
| H5 | 205 | 7.6% | |
| D23 | 145 | 5.4% | |
| C28 | 129 | 4.8% | |
| H4 | 106 | 3.9% | |
| H7 | 96 | 3.6% | |
| C12 | 95 | 3.5% | |
| D11 | 93 | 3.5% | |
| G16 | 91 | 3.4% | |
| G17 | 87 | 3.2% | |
| H20 | 86 | 3.2% | |
| M3 | 75 | 2.8% | |
| M15 | 61 | 2.3% | |
| D8 | 59 | 2.2% | |
| C23 | 43 | 1.6% | |
| C3 | 32 | 1.2% | |
| A2 | 26 | 1.0% | |
| E24 | 25 | 0.9% | |
| E16 | 24 | 0.9% | |
| D1 | 22 | 0.8% | |
| C29 | 21 | 0.8% | |
| H18 | 21 | 0.8% | |
| M2 | 17 | 0.6% | |
| C21 | 16 | 0.6% | |
| A24 | 15 | 0.6% | |
| E11 | 15 | 0.6% | |
| F1 | 15 | 0.6% | |
| D2 | 14 | 0.5% | |
| C14 | 13 | 0.5% | |
| A11 | 11 | 0.4% | |
| H2 | 10 | 0.4% | |
| M13 | 9 | 0.3% | |
| C22 | 7 | 0.3% | |
| H14 | 7 | 0.3% | |
| H15 | 7 | 0.3% | |
| H22 | 7 | 0.3% | |
| M1 | 7 | 0.3% | |
| M7 | 7 | 0.3% | |
| H23 | 6 | 0.2% | |
| A9 | 5 | 0.2% | |
| F23 | 4 | 0.1% | |
| H12 | 4 | 0.1% | |
| A23 | 3 | 0.1% | |
| A12 | 1 | 0.0% | |
| G2 | 1 | 0.0% | |
01
Fused at 2.6 mm per bead this chart finishes at about 15.9 × 11.4 cm, which spans 6 standard 29×29 pegboards. Lay the boards out before you start and keep the seams away from a face or any fine detail — the join is where a piece is most likely to come apart after ironing.
02
2,684 beads in 47 colours from MARD 221. H6 alone fills 497 of them (19%), so check you have that much of it before anything else — running out of a background colour halfway is the usual reason a project stalls.
03
Place the outline first, then the large flat areas, then the detail inside them. Working outline-first gives you edges to count from, so a bead in the wrong column shows up within a row or two instead of at the very end.
04
Medium heat, parchment paper on top, and keep the iron moving in small circles for 10 to 20 seconds until the beads just start to merge. Iron the back as well if you want both faces flat, then leave the piece under a book until it is cold — beads keep shrinking as they cool and will curl if you lift them straight off the board.
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